Mare Interior

the studio of Nerea Vall

Door one · the gallery

The Surface

Selected works, hung dry →
Door two · the world

The Deep

Enter the inner ocean ↓
Door one

The Surface

Tide Study I — pale wash of receding water on gesso
Tide Study Ipigment & brine · 2025
Salt Veil — crystallized salt curtain on linen
Salt Veilsalt on linen · 2025
Undertow — deep teal current study
Undertowoil · 2024
Brine Mirror — reflective grey-blue water plane
Brine Mirroroil & wax · 2024
Drowned Light — shafts of pale light in dark water
Drowned Lightoil · 2026
Last Fathom — near-black abyss with a single cyan trace
Last Fathomoil · 2026 · on loan
Portrait of Nerea Vall in her studio

"I paint with my back to the sea, and it still gets in."

Nerea Vall (b. 1987, Cadaqués) works between a dry studio and a flooded one. The gallery above holds what survives the drying rack; the door below holds everything else — the studio she keeps underwater, arranged and rearranged like a house she is always moving into.

The works are pigment, salt and wax. The world is code, current and memory. She considers both true.

0 – 40 fathoms · sunlight

The light here still remembers the sky.

This is the room where I keep beginnings — every canvas starts as this exact colour. Visitors are asked to swim slowly and leave the surface unlocked behind them.

40 – 200 fathoms · twilight

Where the blue runs out of words.

Halfway down I hang the unfinished things. The pressure is good for them. What the surface calls "abandoned," the twilight calls "curing."

200 – 550 fathoms · midnight

The lanterns are alive down here.

Everything that glows in this room made its own light. That is the entry requirement. The jellyfish are the docents; follow one and it will show you what I could not paint.

The floor of the inner sea.

You have reached the bottom of the world I could build so far. It is not finished; oceans never are. Surface with me — or stay, the water keeps no hours.

Write to the studio    Surface ↑